Grip Workshop
LOCATION: Zoom + Upriver Studios, Saugerties, NY
IMPORTANT DATES:
Application Deadline: September 13 @ 5pm
App Review and Interviews: September 13 - September 17
Acceptance Announcements: September 18
Registration Fee Due: Friday, September 22
Workshop Begins: Thursday, September 28
Registration Fee: $750 $599 Special offer!
Full and partial scholarships are available.
Calling all future TV and film Grips!
Are you ready to dive into the world behind the camera? If you're eager to learn from seasoned industry experts and acquire the skills required to excel as a Grip in local television and film productions, then our 2023 Grip Workshop is tailor-made for you!
Whether you're seeking to refine your skills or level up within the grip department, our workshop offers a hands-on and immersive learning experience led by industry veterans. Get ready to be part of the backbone of every great production!
Led by experienced Key Grip Ted Lehane (Madam Secretary, Manifest, Person of Interest), this workshop will provide practical advice and guidance based on his experience in the industry.
APPLICATIONS CLOSED
ABOUT WORKSHOP:
SCHEDULE:
Session 1: Thursday September 28: 7pm-9pm - Virtual
Session 2: Friday September 29: 5pm-8pm - In Person
Session 3: Saturday September 30: 9am-5:30pm - In Person
Session 4: Sunday October 1:
9am-5:30pm - In Person
In this comprehensive workshop, you'll delve into the following key areas:
Essentials of Grip Work: Understand the set hierarchy and the critical role of Grips and how they contribute to the production process.
On-Set Protocol: Acquire knowledge of on-set etiquette, professionalism, and the role of a Grip in the larger production team.
Setting Up for Success: Learn the art of setting up equipment efficiently and effectively, ensuring the seamless execution of shots.
Gear and Equipment Mastery: Get hands-on experience with the equipment Grips use, from lighting and rigging tools to specialized gear for dynamic shots.
Safety Protocols: Discover the vital importance of safety on set and gain insights into best practices for securing equipment and ensuring a secure working environment.
Assisting the Director of Photography: Gain insights into the collaborative relationship between Grips and DPs and how your work contributes to the visual narrative.
Collaboration Dynamics: Learn how to effectively communicate and collaborate with your fellow grips and various other departments on set for seamless production operations.
Problem Solving in Action: Explore real-world scenarios and learn how to overcome common challenges faced by Grips, from tricky lighting situations to complex rigging demands.
Creative Techniques: Unleash your creativity by understanding how lighting and grip techniques influence the visual tone of a scene.
PREREQUISITES: While prior experience in setting up and operating camera and lighting support gear on set or stage is a plus, it's not a necessity. Applicants with transferable skills gained from various skilled trades, such as construction, plumbing, welding, operating lifts, or landscaping are encouraged to apply. Must be able to lift 60 lbs, stand for long periods of time, and be comfortable climbing ladders.
This workshop is open to all community members, and is specifically seeking candidates from diverse ethnic and racial backgrounds, women, and those historically excluded from the film industry.
INSTRUCTORS:
Ted Lehane has been a grip in film and television for over 30 years; and a proud member of the Motion Picture Studio Mechanics IATSE Local 52 for 20 years. Working primarily in New York, but also in Los Angeles and several films on locations around the US and Mexico; Ted has been the Key Grip on over 22 motion pictures including “High Art” , “Not Okay” and Sofia Coppola’s “On the Rocks”. He has also been the Key Grip on “Dear Edward” (Apple), “Manifest” (Netflix/NBC) “Madam Secretary” (CBS) and “Person of Interest” (CBS). Ted is the co-owner of Empire State Grips, a grip and camera support rental company.
Wesley Battle has been a member of Motion Picture Studio Mechanics IATSE Local 52 for 25 years working as a Grip. Mr. Battle has worked on Music Videos, Commercials,Television, and Film productions such as “Third Watch, Sopranos, The Good Shepherd, Burn After Reading, and most recently Dumb Money. Mr. Battle is a Dolly Operator which enables him to work alongside Directors, writers, producers, camera operators, and actors to tell their stories through movement, timing, and framing. That is the part of the process Mr. Battle enjoys the most, making pretty Pictures.
Justyn Davis is an award-winning Lighting Designer and Union Gaffer. Since 2017 he has guest lectured and taught at NYU Tisch Graduate School. He is calm, patient, and enthusiastic about filmmaking. His Gaffer credits include The Last O.G., The Central Park Five, Ode to Joy, and many more films and episodic series. His credits as Bestboy Electric and Electrician include Blackkklansman, The Informer, Quantico, and much more. Justyn is also an experienced lighting designer who has worked on a wide variety of projects. Some of his lighting designer credits include Nick Offerman: American Ham, Super Bowl LII, as well as The Food Network’s BBQ Blitz and Brunch @ Bobby’s. Justyn recently won an Emmy for his work as Lighting Director on the Super Bowl Pregame Show. He also teaches and lectures at Harvard University, SVA, and Maine Media Workshops.
Kimberly Sauer is a Camera Operator, Digital Imaging Technician, and a proud member of both IATSE Local 600 and NABET Local 11. Her work history includes films and television shows for National Geographic, Discovery, PBS, Hulu, Netflix, ABC, HBO, Showtime, and many others — giving priority to causes and projects that highlight and conserve culture, wildlife and our planet, empower women, and tell meaningful stories from the around the world. Her son Hammy is her pride and joy (and is also a cat). When not behind a camera, Kimberly can usually be found taking long romantic walks to the taco truck, getting lost in the jungle, or becoming one with her couch.
Stockade Works believes that film, media, and tech should be accessible for all people. If an accessibility offering such as American Sign Language Interpretation, live captioning, audio descriptions or a post event transcript would aid in your participation, please let us know.